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Artist > Max Hayslette  (4 pages, 71 paintings.)

Max Hayslette

“Every image begins in my mind” says Max Hayslette, “the combination of a long dance between memory and imagination. Memory colored by imagination is the root from which my images grow. As is my practice in all of my paintings, I choose a subject – sometimes more than one – study it or them well, and then mentally disassemble the parts, mixing and reassembling them into a new image with a new spirit, which is my own.”

Hayslette considers himself a romantic artist, one who seeks to give his works a warm and gentle spiritual quality. For him, the essence and spirituality of his subject are more important than detail, and he finds that he can grasp this spiritual essence more completely when his subject is illumined by the dawn twilight halfway between light and dark. Says Hayslette: “Painting is a silent medium and well suited to exploring the ethereal qualities of early morning light, before the sounds of the day invade the scene. Painting is a process which is accomplished in silence, but when everything works right, it culminates in a triumphant symphony for the soul.” The viewer of Max Hayslette’s work will witness a symphony of color and light, and their soul will be naturally and effortlessly won over by a quiet triumph of beauty.
Moon Over Provence
ID:1841
Moon over Greenbrier
ID:1840
Meadows and Ponds I s n imprint
ID:1839
Le Village Anciens
ID:1838
Le Poet Laval
ID:1837
Le Chateau Sur Rhone
ID:1836
Late Evening in Autumn
ID:1835
Last Light
ID:1834
Lapis Moon II s n imprint
ID:1833
Lapis Moon I (s n imprint)
ID:1832
Lake House in Martigues
ID:1831
La Pluie d' Automne II
ID:1830
La Pluie d' Automne I
ID:1829
Island Afternoon II
ID:1828
Island Afternoon I
ID:1827
Hill Town in Autumn II s n serigraph
ID:1826
Hill Town in Autumn I (s n serigraph)
ID:1825
Greenbrier Evening
ID:1824
Green Hills Of Tuscany II2
ID:1823
Green Hills Of Tuscany II
ID:1822

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