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Artist > Alfred Sisley (22 paintings.) |
Life and work
Sisley was born in Paris to affluent English parents; his father, William Sisley, was in the silk business, and his mother, Felicia Sell, was a cultivated music connoisseur. At the age of 18, Sisley was sent to London to study for a career in business, but he abandoned it after four years and returned to Paris. Beginning in 1862 he studied at the atelier of Swiss artist Marc-Charles-Gabriel Gleyre, where he became acquainted with Frédéric Bazille, Claude Monet, and Pierre-Auguste Renoir. Together they would paint landscapes en plein air (in the open air) in order to realistically capture the transient effects of sunlight. This approach, innovative at the time, resulted in paintings more colorful and more broadly painted than the public was accustomed to seeing. Consequently, Sisley and his friends initially had few opportunities to exhibit or sell their work. Unlike some of his fellow students who suffered financial hardships, Sisley received an allowance from his father until 1870, after which time he became increasingly poor. Sisley's student works are lost. His earliest known work, Lane near a Small Town, is believed to have been painted around 1864. His first landscape paintings are sombre, coloured with dark browns, greens, and pale blues. They were often executed at Marly and Saint-Cloud.
In 1866, he began a relationship with Eugénie Lesouezec (also known as Marie Lescouezec), a Breton living in Paris, with whom he had two children.[1] His financial security vanished in 1870 when his father's business failed, and Sisley's sole means of support became the sale of his works. For the remainder of his life he would live in poverty; his paintings rose significantly in monetary value only after his death.[2] In 1880 Sisley and his family moved to a small village near Moret-sur-Loing, close to the forest of Fontainebleau where the painters of the Barbizon school had worked earlier in the century. Here, as art historian Anne Poulet has said, "the gentle landscapes with their constantly changing atmosphere were perfectly attuned to his talents. Unlike Monet, he never sought the drama of the rampaging ocean or the brilliantly colored scenery of the Côte d'Azur."[3]
Apart from the period spent in London between 1857 and 1861—and brief trips to England in 1874, 1881, and 1897—Sisley lived his entire life in France. Little is known about his relationship with the paintings of J. M. W. Turner and John Constable, which he may possibly have seen in London, although these artists have been suggested as an influence on his development as an Impressionist painter,[4] as have Gustave Courbet and Jean-Baptiste-Camille Corot.
Among the Impressionists Sisley has been overshadowed by Monet, although his work most resembles that of Camille Pissarro. Described by art historian Robert Rosenblum as having "almost a generic character, an impersonal textbook idea of a perfect Impressionist painting",[5] his work strongly invokes atmosphere and his skies are always very impressive. His concentration on landscape subjects was the most consistent of any of the Impressionists.
In 1874 he produced nearly twenty paintings of the Upper Thames near Molesey: a series described by Kenneth Clark as "a perfect moment of Impressionism."
In 1897 Sisley and his partner visited Wales and were finally married in Cardiff Register Office on 5 August.[6] The following year he applied for French citizenship but was refused; a second application was made and supported by a police report, however illness intervened, [7] with Sisley remaining English till his death. Sisley died in Moret-sur-Loing at the age of 59, just a few months after the death of his wife.
Among Sisley's best-known works are Street in Moret and Sand Heaps, both owned by the Art Institute of Chicago, and The Bridge at Moret-sur-Loing shown at Musée d'Orsay, Paris. Allée des peupliers de Moret (The Lane of Poplars at Moret) has been stolen three times from the Musée des Beaux-Arts in Nice. Once in 1978 when on loan in Marseille (recovered a few days later in the city's sewers), again in 1998 (in which the museum's curator was convicted of the theft and jailed for five years along with two accomplices) and finally in August 2007. On 4 June 2008, the French National Police recovered it and three other stolen paintings from inside a van in Marseilles.[8]
