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Artist > Max Hayslette  (4 pages, 71 paintings.)

Max Hayslette

“Every image begins in my mind” says Max Hayslette, “the combination of a long dance between memory and imagination. Memory colored by imagination is the root from which my images grow. As is my practice in all of my paintings, I choose a subject – sometimes more than one – study it or them well, and then mentally disassemble the parts, mixing and reassembling them into a new image with a new spirit, which is my own.”

Hayslette considers himself a romantic artist, one who seeks to give his works a warm and gentle spiritual quality. For him, the essence and spirituality of his subject are more important than detail, and he finds that he can grasp this spiritual essence more completely when his subject is illumined by the dawn twilight halfway between light and dark. Says Hayslette: “Painting is a silent medium and well suited to exploring the ethereal qualities of early morning light, before the sounds of the day invade the scene. Painting is a process which is accomplished in silence, but when everything works right, it culminates in a triumphant symphony for the soul.” The viewer of Max Hayslette’s work will witness a symphony of color and light, and their soul will be naturally and effortlessly won over by a quiet triumph of beauty.
Villa de Conti in Autumn (s n serigraph)
ID:1861
Valley of the Kings II
ID:1860
Tuscan Sunrise
ID:1859
Tuscan Rain
ID:1858
Sun and Sea IV
ID:1857
Sun and Sea III
ID:1856
Sun and Sea II
ID:1855
Sun and Sea I
ID:1854
Ship and Shore II
ID:1853
Ship and Shore I
ID:1852
Saint Benoit du Sault
ID:1851
Saint Paul de Vence
ID:1850
Return to Provence
ID:1849
Provence by the Sea II
ID:1848
Provence by the Sea I
ID:1847
Old Mill Bluestone2
ID:1846
Old Mill Bluestone
ID:1845
Ocean View1
ID:1844
My Villa In Tuscany
ID:1843
Music of the Morning II
ID:1842